{"id":103381,"date":"2025-02-28T16:18:44","date_gmt":"2025-02-28T21:18:44","guid":{"rendered":"https:\/\/magazine.tablethotels.com\/en\/?p=103381"},"modified":"2026-03-06T20:17:59","modified_gmt":"2026-03-07T01:17:59","slug":"complete-unknown","status":"publish","type":"post","link":"https:\/\/magazine.tablethotels.com\/en\/2025\/02\/complete-unknown\/","title":{"rendered":"Complete Unknown"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][vc_column_text]\n<img decoding=\"async\" src=\"https:\/\/static.prod.r53.tablethotels.com\/media\/ecs\/global\/email\/newsletter-img\/Fitz.jpg\" alt=\"Fitzcarraldo\" width=\"970\" height=\"auto\" \/><\/p>\n<h4>Aside from hotels, the topic we reference most at Tablet is movies. On the eve of the 2025 Oscars, we look again to the cinema, and wonder what AI threatens to take away from fans of filmmaking.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator style=&#8221;dashed&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/12&#8243;]<aside class=\"gap cf\" style=\"height:10px;\"><\/aside><a class=\"image_link\" href=\"https:\/\/magazine.tablethotels.com\/en\/author\/markfedeli\/\" target=\"_blank\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"198\" src=\"https:\/\/magazine.tablethotels.com\/en\/wp-content\/uploads\/2024\/07\/mark-small-circle-2.png\" class=\"thb_image  left  retina_size attachment-full\" alt=\"\" title=\"mark small circle\" \/><\/a><aside class=\"gap cf\" style=\"height:10px;\"><\/aside>[\/vc_column][vc_column width=&#8221;11\/12&#8243;]<aside class=\"gap cf\" style=\"height:10px;\"><\/aside>[vc_column_text css=&#8221;.vc_custom_1720455088433{background-color: #ffffff !important;}&#8221;]\n<p style=\"font-size: 14px;\"><strong>By <a href=\"https:\/\/magazine.tablethotels.com\/en\/author\/markfedeli\/\">Mark Fedeli<\/a><\/strong><br \/>\n<em>Marketing and Editorial Director, Tablet Hotels<\/em><\/p>\n[\/vc_column_text]<aside class=\"gap cf\" style=\"height:10px;\"><\/aside>[\/vc_column][\/vc_row][vc_row][vc_column][vc_separator style=&#8221;dashed&#8221; css=&#8221;&#8221;]<aside class=\"gap cf\" style=\"height:40px;\"><\/aside>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\n<p>In <em>A Complete Unknown<\/em>, the Bob Dylan biopic and Oscar contender, the musical sequences were performed totally live to camera, like a filmed concert, with the actors singing and playing every note. The resulting songs feel immediate and authentic in ways missing from other recent biopics. Compare that with the controversy surrounding <em>The Brutalist<\/em>, another Oscar favorite, where AI was used in a handful of voiceovers to improve the actors\u2019 Hungarian dialect. That probably shouldn\u2019t harm the film\u2019s chances at awards, but it does raise questions about what\u2019s to come. <\/p>\n<p>Indulge me while I unwind a take so Gen X you\u2019d think it was sponsored by Fugazi.<\/p>\n<p>One of the joys of cinema is learning how a famous scene was put together. Movies aren\u2019t alone in this. With any work of art the drama behind the scenes is fascinating. That\u2019s why we read biographies about our favorite painters, actors, bands. Art has never been only about aesthetics. Process has always mattered. When we learn why and how a piece was created, we better understand its significance. We become connoisseurs. <\/p>\n<p>In older films, it\u2019s all the more impressive knowing that major acts of hands-on, human ingenuity were required to achieve every monumental shot and overcome every challenge. Whether it\u2019s Welles figuring out deep focus in <em>Citizen Kane<\/em>, Herzog pulling a steamship over a mountain in <em>Fitzcarraldo<\/em>, or the mattes and miniatures and manipulation of perspective in everything from <em>Casablanca<\/em> to <em>Star Wars<\/em> \u2014 the stories of how those sequences were accomplished are legendary. When everything can be done on a computer, it\u2019s harder to know how impressed to be, and it\u2019s definitely not as fun to discuss. And for a certain type of movie watcher, that stinks. For a certain type of movie watcher, films aren\u2019t as interesting without their creation stories. <\/p>\n<p>Welles famously said, \u201cThe enemy of art is the absence of limitations.&#8221; Anyone who&#8217;s created anything knows how true that is. And they know how important mistakes are. The history of happy accidents \u2014 like how the malfunctioning shark in <em>Jaws<\/em> led to a far better film \u2014 is long and worth celebrating. Limits are helpful because they remind us that art doesn&#8217;t need to be perfect. Movies don&#8217;t need to recreate reality down to the pixel. An actor&#8217;s accent doesn&#8217;t need to be flawless. <\/p>\n<p>Great CGI takes a ton of work and huge teams of talented people, and films I adore have been seamlessly aided by computers. That I don\u2019t know when the aid is given is what sometimes disheartens me. The result can still be incredible, but the backstory is less compelling, and soon, do audiences care less about learning it? Do late-night conversations at film schools end a lot earlier? We\u2019re supposed to be in awe of the art other humans create. We\u2019re supposed to wonder \u201chow\u2019d they do that??\u201d If we assume \u201cit\u2019s probably just CGI,\u201d the wonder is diminished.<\/p>\n<p>We should be able to trust our eyes and ears, and know that our adoration is well-placed. That&#8217;s going to get a lot harder to do with AI, which brings with it a whole new future of concerns. Next time, it&#8217;ll be used on actors a bit more, and then more, and then more. And then we\u2019ll regularly question the reality of creative acts we once assumed humans would always do. Maybe you don\u2019t care about canon and the purity of the process. That\u2019s fine. But if you do, that stinks. \u25aa<br \/>\n&nbsp;<\/p>\n<div style=\"height:1px;border-top:3px double #ccc;margin-top:30px;margin-bottom:60px;display:block;clear:both\"><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/6&#8243;]<img decoding=\"async\" class=\"thb_image  left  retina_size \" src=\"https:\/\/magazine.tablethotels.com\/en\/wp-content\/uploads\/2023\/01\/mark-200x250.jpg\" width=\"200\" height=\"250\" alt=\"mark\" title=\"mark\" loading=\"lazy\" \/><aside class=\"gap cf\" style=\"height:20px;\"><\/aside>[\/vc_column][vc_column width=&#8221;5\/6&#8243;][vc_column_text css=&#8221;.vc_custom_1676124357965{background-color: #ffffff !important;}&#8221;]Mark Fedeli is the hotel marketing and editorial director for Tablet and Michelin Guide. He&#8217;s been with Tablet since 2006, and he thinks you should <a style=\"text-decoration: underline;\" href=\"https:\/\/cb.tablethotels.com\/join\/magazine-signup\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe to our newsletter<\/a>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n<div style=\"height:1px;border-top:3px double #ccc;margin-top:30px;margin-bottom:60px;display:block;clear:both\"><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The Oscars is the one time each year here at Tablet when we allow ourselves to forget about hotels for a minute and focus on another place where magic happens: the cinema.<\/p>\n","protected":false},"author":53,"featured_media":103404,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3597,3550,3644],"tags":[3838,3839,3598,3639,3645,3840],"thb-sponsors":[],"class_list":["post-103381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematic","category-commentary","category-from-the-editors","tag-bob-dylan","tag-cinema","tag-cinematic","tag-commentary","tag-from-the-editors","tag-werner-herzog"],"acf":{"new_subtitle":"What We Might Start Missing in Movies","property_id":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What We Might Start Missing in Movies \u2014 by Tablet Hotels<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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